Dark, demonic power courses through Hagazussa, a legitimately evil folk story of inheritance, corruption and damnation. Sigh. Their laborious toil is compounded first by interpersonal tensions over Wake’s possessiveness regarding the lighthouse itself, and then by run-ins with squawking gulls (vessels for dead sailors’ spirits, says Wake) and visions of slimy tentacles and inviting mermaids. Split into five sections spanning 1960-1980, and set in the country’s northern La Guajira region, Guerra’s film (co-directed by his wife and producing partner Cristina Gallego) details the disintegration of a Wayuu community thanks to enterprising Rapayet (José Acosta), who marries the daughter of imposing matriarch Ursula (Carmiña Martinez) and transforms everyone’s fortunes by smuggling weed procured from relatives. Which – believe it or not – isn’t the final twist in One Cut of the Dead, a rollicking comedy that keeps viewers on their toes by constantly divulging new layers of reality. Imagination Movers Events; Date Venue Location Tickets; There is nothing to display yet, check back soon. From crowd-pleasing blockbusters to under-the-radar triumphs, eclectic imports to boundary-pushing epics (we’re looking at you, The Irishman), there’s been something for everyone at the theater – and, also, on the various streaming services that now compete for cinephiles’ attention. Beginning, portentously, with interviews seen on a television set surrounded by the director’s favorite VHS horror films, the French auteur’s latest is arguably his least provocative to date. Elisabeth Judson Shue (born October 6, 1963) is an American actress, best known for her roles in the films The Karate Kid (1984), Adventures in Babysitting (1987), Cocktail (1988), Back to the Future Part II (1989), Back to the Future Part III (1990), Soapdish (1991), … With both dynamism and comprehensiveness, Karim Amer and Jehane Noujaim’s infuriating documentary details the Cambridge Analytica scandal via the work of reporters and whisteblowers intent on exposing the company’s function as a tool of right-wing extremists both in America and abroad. (How Disney hasn't released something that looks like this is beyond me.) It’s been decades since Murphy has been this hilariously energized, his giant smile and brash talk elevating this underdog-makes-good effort from Craig Brewer (Hustle & Flow), which traces Moore’s transformative creation of both his famous alter ego, as well as the family of friends and collaborators who helped him realize his stage and screen dreams. And, it should be noted, I haven't gotten a chance to see Weathering With You yet, although I am, of course, dying to. 2019 2019 $ 29.95. 2019 Side Effects $ 1.99. We may earn a commission from these links. Mixing the class commentary of Snowpiercer with the family dynamics of The Host, Bong Joon-ho takes a scalpel to inequity with Parasite, his scathing drama about a lower-class clan that endeavors to pull itself up from the figurative and literal basement. It casts a spell through malevolent horror imagery as well as its moving portrait of kids banding together to form a makeshift clan – and, in the process, to courageously face a world intent on destroying them, physically and psychically, at every turn. Share on Facebook; Share on Twitter; ... For all the joys of movies, it's books that train the imagination. Kevin Dupzyk. If our memories aren’t truly our own, how do we know who we are? Scored to disquieting electronic noises and plaintive orchestral tunes, Landes’ spellbinding feature assumes the quality of a drug trip, evoking issues of alienation, control, sex, fear and loyalty through its young male and female protagonists’ ordeal. Led by his own interior-thought narration, Roy’s saga is at once awe-inspiring and poignant, intimate and majestic. Jeff Chan and Andrew Rhymer’s romantic comedy is, per formula, bound to have its seemingly opposite protagonists discover their attraction for one another, yet predictability is of no concern when the amorous action is as consistently funny and charming as it is in this jaunty indie. The films most worth watching in the genre that ignites your imagination. So too does Weidel’s wife Marie (Paula Beer), who repeatedly mistakes Georg for her husband, and who longs for reunion even as she continues an affair with a man (Godehard Giese) whose obsessive amour prevents him from departing. Netflix paid handsomely for the opportunity to release this film; it paid off. With acute empathy and formal eloquence, director Ed Perkins investigates this shocking tale from the perspectives of both brothers, whose bond was forged by love and trust, and torn asunder by deception and betrayal. Instead of focusing on the beloved characters we know and love, Cooley introduces a host of new playthings, including Ducky and Bunny (Keegan Michael-Keyand Jordan Peele), Duke Caboom (Keanu Reeves) and Gabby Gabby (Christina Hendricks), a truly poignant villain and a pair of visually dynamic new environments in an antique store and small town carnival. His is a conservative celebration of the old at the very moment that the new took over (not to mention a wish for a fusion of the two), and an air of wistfulness – and desire to fight obsolescence – permeates the action. Nonetheless, in any format, it’s a curatorial effort of thrilling enormity, presenting this pioneering triumph as the byproduct of myriad individuals, immense ingenuity, and the colossal bravery of three men who dared to venture to the stars. No film on the subject has ever been this bracingly true to life, and much of the credit for that triumph goes to Driver and Johansson, whose superlative dueling performances—wounded and righteous, forlorn and furious, and marked by respective musical numbers—are as subtle as they are wrenchingly real. November is packed with movies for all tastes: from sci-fi to mystery and Scorsese's latest work. Imagination Movers website. Malick’s tale couldn’t be timelier, nor lovelier, as his poetic aesthetics —defined by swirling, sweeping, intimate-and-epic handheld cinematography, James Newton Howard’s soaring orchestral score, and hushed internal-monologue narration—impart a sense of the alternately harmonious and dissonant relationship between the material and the celestial. Arriving in Marseilles, he befriends the African son (Lilien Batman) and wife (Maryam Zaree) of a former comrade. Capitalist modernity, taking the form of the marijuana trade, corrupts a local Colombian culture in Birds of Passage, an ethnographically rich crime drama from Embrace of the Serpent director Ciro Guerra. An era-spanning tale that charts the intersections of the mob and domestic politics (including the election and assassination of JFK), Scorsese’s film is also a flashback-layered drama about the passage of time, and the impact – or chilling lack thereof – that regret, treachery and immorality have on a man’s soul. Here are 27 quotes about imagination to help you reshape reality. No clear-cut answers await those who make it to the end of this alluring voyage, only a mood of enigmatic ennui, bursts of sexualized violence and hunger (the latter coming via Binoche’s mind-bending visit to a room known as the “f--k box”), a superbly cagey Pattinson turn, and a finale of cautious optimism. Google has many special features to help you find exactly what you're looking for. Convinced the three chalk pieces she received from her teacher grant her magical wishes, Estrella tries to survive her harrowing new circumstances on the streets, which are further complicated by two adult thugs intent on reclaiming their stolen property from Shine. 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